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I'm a bit late with this, I still got a drama special to talk about next!! Excited about that. But first, I'll just briefly review Kame's drama, Final Cut.

I've always wanted to watch it ever since it was announced he would be leading but I was being stubborn about watching it in HD, lmao. Well, I finally got to it and watched it in about a day. Yeah, well, it was alright. Firstly, Final Cut's a number of things. It tells the story of Nakamura Keisuke's quest to seek justice/pay retribution to a certain television programme who falsely accused his mother of a murder she never committed. She was constantly hounded by the media during the investigation of the crime which after a period of time led her to commit suicide due to the enormous burden and strain faced. Twelve years later, after various preparations, Keisuke hunts down the people responsible by producing final cuts of their lives, he along with his partner digs up dirt on their personal lives and uses it to produce videos, which is sort of a dig at what they do given the nature of their jobs. The programme's notorious for manipulating the stories they find and presenting it as fact to the public despite the truth being distorted. Keisuke's method is pretty smart, since he relies on truth instead although he has to resort to unethical ways to do so but well, it's only fair given how malicious the media was to his mother as well as to other victims. 

I love revenge shenanigans so this one was somewhat enjoyable given that there was indeed the former and to watch Keisuke/Kame so vindictive and hellbent on restoring his mother's virtue and name was a treat. However, after awhile it did feel episodic since he has a target in every other episode and the writing is rather formulaic. Keisuke runs a site for victims of the media where they voice their woes and he responds to a select number of them. The details are shared, Keisuke and his partner goes after the ones responsible and justice is more or less served. On the side, Keisuke also interrogates the ones responsible to find out more about his mother's case and the ones who decided to frame her as the murderer rather than catch the actual person involved. Turns out the police and the media are pals and it's a vicious web that Keisuke has to try and penetrate. Luckily, he's also a police officer so the bridge isn't that far for him to cross. I'll commend the show a bit for having certain stakes and ensuring Keisuke isn't invulnerable. The drama's pacing is good, imo, for 9 episodes. Keisuke runs into problems too and he needs help as well to clear his mother's name. 

As a character, Keisuke fared pretty well. Personally, the bar for me is treating children well and he did that. Although Keisuke is unforgiving and immoral with his foes, he's rather pleasant with normal people and also has a conscience too. See, he's a bit of an ass since he actually two-times two of the leading ladies who happen to be sisters AND the siblings of the actual murderer. Yup. Messy! He falls for the older sister and his feelings intersect with good ol' conscience and it's some deep stuff. I guess? Lol. The romance is awkward but I did enjoy a bit. Typical stuff in a revenge story, c'mon! Good shit. They even share a passionate kiss and sleep together. 

Well, did I digress? Anyway. I did like that the show explored the repercussions of media sensationalism and distortion. Its implications reflect the current state of the media in real life and the gravity of it, that the show took it seriously was appreciated. Though, towards the end, I felt the discussion became just another tool for further melodrama and the conclusion was pretty lacking. I think the show might've been aware of its shortcomings too since this was an actual line: "You're antagonising the media. The investigation team back then. Your opponent is an unyielding system and a green kid like you can't do anything about them." I thought this was a good line. It is. It's a good reminder for the lead. It's also a bitter truth that had to be said. I think though that juggling both the revenge side of the story + the social commentary on the media's effects on peoples' lives is no easy task and it showed in the last episode. 

Keisuke was able to restore his mother's name and experience some extent of personal satisfaction as he was able to wash away the dirt spilled onto her name as well as catch the real murderer but I couldn't help but feel as a viewer, like, now what? I don't know if it was Kame's acting choices but it seemed that even Keisuke wasn't entirely satisfied. The media comes out unscathed, ready to sink its teeth into another family whose son is a murderer of a little girl and the cycle repeats. Keisuke gets his revenge but that's really it. At the end of the day, the sad truth remains that Keisuke is just one person against an unshakeable system. I'm not even sure if the bleak message was what the writing intended but I doubt it since the characters who were responsible for manipulating the public got scot-free and were able to smile as if nothing happened. The bigwig, played by Fujiki Naohito, had some sudden sob story introduced near the end although he's a stinking piece of shit and his despicable actions got a free pass. He suddenly owned a conscience and apologised to Keisuke + the public for the programme's media manipulations and eventually quit on his own. One of the sisters turned hysterical because Keisuke wouldn't accept her love and she stabbed herself to prove a point.. Yeah. The writing really didn't hold up. Like, iirc this was the show Kame learnt parkour for and the first episode showed some 'parkour'. The directing was hilarious with that, I gotta say. He barely used it though throughout the show, lmao.

BRIEFLY, my ass. I rambled, didn't I. I would've attempted to let this all flow nicely but it's not as if Final Cut was good. Well. At least this wasn't traumatic like Kaito Yamaneko was. I even got reminded of it in the last five minutes of the show because I literally thought they were going to pull the same shit the former did!! Ugh. I'll never get over that, probably....

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 "It's okay, go ahead and cry. You couldn't cry, right?"

I'm completely weak when it comes to lines like this that tug at one's heart and aim to uplift and validate a person's experiences. Strawberry Night had its moments where this happened. The protagonist, Himekawa Reiko, constantly has to deal with her male coworkers' sexism in the police force despite holding a pretty established rank as an Assistant Inspector of the First Investigative Division's Tenth Section. They patronise her, belittle her work and question her methods although they aren't any better. The past is also a heavy weight she holds despite the passing of many years as a survivor of both rape and knife crime and the impact trickles in her family relationships as well. Himekawa is a fighter. Her emotions also gets to her on many occasions. Anger is in her blood. The tragic incident has fortified her with immense strength, which is something that gave me a certain level of discomfort because of the decision to insert rape as a dramatic plot device to explain Himekawa's toughness and develop a weighty backstory for its lead. It does leave me a bit conflicted but to give the show some credit, it's not a one-off move by the writer (yes, it's an adaptation, I don't know much the writer took from the original novel though..) and the ramifications were explored even in the present day. Her relationship with her family is strained, she has episodes at times, the narrative also reinforces that the fault lies with the criminal and she bears no blame. Yet, she struggles with the latter. It's a nuanced portrayal and it rears its head at times in the 11 episodes. Probably the scene that resonated the most was when Himekawa lent her support to a fellow victim. She hugs her with such power and warmth that drips from her words that aim to console but speak the truth as well. That Himekawa could utter the words, "You did nothing wrong.", meant too much for her as a character. She spoke it with such unwavering honesty and I couldn't help but think that those words were meant for her to hear as well. That, she could finally say it. She could finally believe it. It was so powerful watching two women seek solace in each other. 

There were things I loved, liked, disliked and abhorred while watching Strawberry Night. I completely loved Himekawa Reiko. Takeuchi Yuko was great, wonderful and relatable in certain aspects with her portrayal. Anger is a good look on her, especially when she is fending off misogyny and sexism from her peers. Her facial emoting is really good, particularly when she's vexed or upset. More on Reiko as a character, she's so forthright with her beliefs, capable of being gentle with people when it counts, is unwavering with her work and so.... Human. Her relationship with her parents, the rashness that comes through when she interacts with them, they're all real. I could empathise with her on some occasions, like the need to escape when the situation hits the fan. Also, the way she handles the men at her work with such poise and passive aggressiveness (though, she's really actively aggressive, lol). I also loved some of the dialogue in the show. It could be poignant and reflective of real life. I should go jot them all down soon, tbh. I appreciate that considerable thought was demonstrated in the exploration of specific cases which discussed the human condition and the consequences of actions. Also, how it was applicable to the show's main characters, particularly Himekawa of course. 

What did I like? I liked Himekawa's relationship with Kikuta. The mutual respect, repartee and trust between both characters was enjoyable to watch and the suggestive hints at them becoming more than just partners was nice, I liked that it wasn't overt either. Himekawa draws strength from him while he never demands anything of her. It's great. I also enjoyed her team. I can't forget the time when Tamotsu, iirc, helped her remove her heels before entering a crime scene in one of the earlier episodes. It was a small moment but it was honestly wonderful. 

What didn't I like? How the men acted in general. The director, Gantetsu, Hayama... They needed to go. It was too much. The show also had a tendency to prop the perspective of men despite its lead being a women. Hence, some of the message it intended to deliver failed, e.g. Hayama's viewpoint that women should not be present in dangerous crime scenes. Ultimately, his viewpoint was not refuted and validated by one of the female officers. Hayama did not truly grow, he continued to believe that and still questioned Himekawa at times, even if it was not spoken out loud. Aside from that, the show also has a tendency to be violent with women, whether portrayed as a victim or not. It was uncomfortable to note that many of the victims of the cases were women. For example, Hayama's backstory was at the expense of an innocent woman being stabbed to death. It was rather upsetting. 

Overall, I liked Strawberry Night but the aspects that I disliked/hated also make up a fair share. I gave this a 8 when I finished but truthfully, I'm not sure if I'll keep to it in the future. Still, the show did prioritise Himekawa given that she is the lead protagonist and this is most definitely her story that was told. 

I have to say, the ending was really impactful and too real. Excellent acting from Takeuchi Yuko. It hurt though, as real as it was.

(I hope I keep this up! I really do want to keep writing because not doing it constantly leaves me rusty and I don't want that any longer. So, I'm just making it ~law right now that I should give a short review/do a post thoughts thing with every jdrama I've finished asap.)